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Restes humains (archéologie) --- Conservation et restauration. --- Expositions. --- Aspect moral. --- Collections publiques --- Droit.
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museology --- Museology --- Professional ethics. Deontology --- museumkunde --- Museums --- Musées --- Management --- Moral and ethical aspects --- Gestion --- Aspect moral et éthique --- Moral and ethical aspects. --- Musées --- Aspect moral et éthique --- Public institutions --- Cabinets of curiosities --- Management&delete& --- Museums - Management - Moral and ethical aspects.
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Holocaust, Jewish (1939-1945) --- Poststructuralism. --- Holocauste, 1939-1945 --- Poststructuralisme --- Personal narratives --- History and criticism. --- Moral and ethical aspects. --- Récits personnels --- Histoire et critique --- Aspect moral --- Auschwitz (Concentration camp) --- Holocauste, 1939-1945 - Recits personnels - Histoire et critique --- Holocauste, 1939-1945 - Aspect moral --- National-socialisme --- Témoignage historique --- Shoah --- Survivants de la Shoah --- Camps de concentration --- Auschwitz (Pologne ; camp de concentration) --- Psychologie --- Pologne
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Architecture --- Cultural property --- Museum techniques --- Biens culturels --- Muséologie --- Philosophy. --- Conservation and restoration. --- Protection --- Moral and ethical aspects --- Philosophy --- Philosophie --- Conservation et restauration --- Aspect moral --- Muséologie --- Philosophie. --- Conservation et restauration. --- Moral and ethical aspects.
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En proposant une définition de l'artisanat beaucoup plus large que celle de "travail manuel spécialisé", Richard Sennett soutient que le programmateur informatique, l'artiste, et même le simple parent ou le citoyen font oeuvre d'artisans. Ainsi pensé, l'artisanat désigne la tendance foncière de tout homme à soigner son travail et implique une lente acquisition de talents où l'essentiel est de se concentrer sur sa tâche plutôt que sur soi-même. Dans ce livre stimulant, Richard Sennett aborde l'expertise sous toutes ses déclinaisons. Nous voyageons ainsi à travers le temps et l'espace, des tailleurs de pierre de la Rome antique aux orfèvres de la Renaissance, des presses du Paris des Lumières aux fabriques du Londres industriel ; nous observons les expériences de l'informaticien, de l'infirmière, du médecin, du musicien ou du cuisinier. Face à la dégradation actuelle des formes de travail, l'auteur met en valeur le savoir-faire de l'artisan, coeur, source et moteur d'une société où primeraient l'intérêt général et la coopération. Et tandis que l'histoire a dressé à tort des frontières entre la tête et la main, la pratique et la théorie, l'artisan et l'artiste, et que notre société souffre de cet héritage, Richard Sennett prouve que "Faire, c'est penser".
Work --- Motivation (Psychology) --- Travail --- Motivation (Psychologie) --- Moral and ethical aspects --- Aspect moral --- Handicraft --- Artisanat --- Social aspects. --- Aspect social --- Work. --- Moral and ethical aspects. --- Work - Moral and ethical aspects. --- Sociologie du travail --- Artisans --- Aspect psychologique
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Le patrimoine archéologique est marqué par l’oubli que va interrompre la découverte du vestige. La mise à l’écart de la mémoire humaine, que provoque la perte puis le recouvrement stratigraphique, opère une transformation de l’objet.Sa fonction première – utilitaire ou décorative, cultuelle ou sociale – ou, plus simplement, celle pour laquelle l’objet a été fabriqué ou qui lui a été affectée, est renouvelée au moment de sa découverte au profit d’une fonction culturelle, sociale, politique et scientifique, asservie au témoignage et à la narration du développement de l’histoire de l’humanité et de sa relation avec l’environnement. L’objet le plus anodin peut être une source d’informations scientifiques irréductible à sa seule utilité ou fonction initiale. Celle-ci ne disparaît pas : elle est interprétée à l’aune de l’histoire ou, dans certains cas, instrumentalisée par des politiques identitaires.L’économie juridique des normes patrimoniales porte les empreintes de cette fonction culturelle et scientifique, voire identitaire du patrimoine archéologique. L’expression de l’intérêt scientifique, culturel ou politique ainsi que la mise en jeu de la règle juridique requièrent une double mise en condition : l’exhumation des vestiges et leur interprétation.Alors que la fouille s’inscrit dans une démarche scientifique et raisonnée, le pillage provoque la dispersion brutale et alimente le trafic illicite. Le patrimoine archéologique est aussi exposé au risque de dispersion, ou de destruction sous des pressions identitaires ou religieuses.Cet ouvrage met en relief, dans une approche interdisciplinaire, nourrie par un dialogue entre des archéologues, des conservateurs et des juristes, les enjeux qui fondent, notamment, les politiques de préservation du patrimoine archéologique et de diffusion des connaissances, la revendication des biens exportés en violation des normes en vigueur dans leurs pays d’origine et la réappropriation de leur patrimoine par les communautés spoliées.
Environmental law --- Law of real property --- Archeology --- Patrimoine culturel --- Antiquités --- Archéologie --- Droit --- Antiquities --- Historic preservation --- Cultural property --- Antiquités --- Patrimoine historique --- Biens culturels --- Collection and preservation --- Law and legislation --- Protection --- Moral and ethical aspects --- Collections et conservation --- Aspect moral --- EPUB-ALPHA-P EPUB-LIV-FT LIVDROIT STRADA-B --- E-books --- Moral and ethical aspects. --- Droit.
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Professeur de littérature, codirecteur de la revue Multitudes, l'auteur s'attache ici à définir les mécanismes d'une économie dont l'attention constituerait la première rareté et la plus précieuse source de valeur. Quels outils faudrait-il mettre en place ? Que pouvons-nous en espérer ? Remède au productivisme forcené, elle est au carrefour des chemins qui tracent notre avenir.
Value --- Capitalism --- Economics --- Valeur --- Capitalisme --- Economie politique --- Moral and ethical aspects --- Aspect moral --- Attention --- Social aspects --- Economic aspects --- Économie numérique --- Rareté (économie politique) --- Aspect économique --- Aspect social --- Neuroeconomics --- Information society --- Psychological aspects --- Sociological aspects --- Économie numérique. --- Aspect économique. --- Aspect social. --- Attention - Social aspects --- Attention - Economic aspects --- Economics - Psychological aspects --- Capitalism - Psychological aspects --- Economics - Sociological aspects --- Information society - Economic aspects
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Religions
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Religion
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Religion.
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Histoire
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#TS:KOHU
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Museology --- Professional ethics. Deontology --- Beroepsethiek --- Beroepsmoraal --- Codes de conduite déontologique --- Codes de déontologie --- Codes of ethics --- Codes of professional ethics --- Conscience professionnelle --- Deontologie --- Deontology --- Déontologie --- Déontologie professionnelle --- Ethical codes --- Ethics [Professional ] --- Morale professionnelle --- Professional ethics --- Professional responsibilities --- Professional responsibility --- Professions--Aspect moral --- Professions--Déontologie --- Professions--Moral and ethical aspects --- Éthique professionnelle --- 069.01 --- Museologie --- INS Institutes --- museums --- ethics --- management --- 069.01 Museologie --- Museums --- Management --- Moral and ethical aspects --- International Council of Museums --- By-laws --- Personnel --- 78.02 --- professional ethics
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The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.
Antiquities -- Collection and preservation -- Moral and ethical aspects. --- Antiquities -- Collection and preservation -- Social aspects. --- Cultural property -- Protection. --- Cultural property -- Repatriation. --- Excavations (Archaeology) -- Moral and ethical aspects. --- Museum exhibits -- Moral and ethical aspects. --- Museums -- Acquisitions -- Moral and ethical aspects. --- Museums -- Philosophy. --- Museums --- Museum exhibits --- Cultural property --- Antiquities --- Excavations (Archaeology) --- General --- Museum Publications --- Moral and ethical aspects --- Acquisitions --- Protection --- Repatriation --- Collection and preservation --- Social aspects --- Philosophy --- Moral and ethical aspects. --- Social aspects. --- Protection. --- Repatriation. --- Philosophy. --- Display techniques --- Displays, Museum --- Museum displays --- Archaeological digs --- Archaeological excavations --- Digs (Archaeology) --- Excavation sites (Archaeology) --- Ruins --- Sites, Excavation (Archaeology) --- Repatriation of cultural property --- Cultural property, Protection of --- Cultural resources management --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Exhibitions --- Government policy --- Law and legislation --- Restitution --- Public institutions --- Cabinets of curiosities --- Museum techniques --- Archaeology --- Cultural policy --- Historic preservation --- Material culture --- 037 --- 069.01 --- 7.025.7 --- 7.025.7 Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- Kunstwerken: verlies, teloorgang door o.a. diefstal of tijdens transport --- 069.01 Museologie --- Museologie --- Collection and preservation&delete& --- Acquisitions&delete& --- musea --- Musées --- Objets exposés --- Biens culturels --- Antiquités --- Fouilles (Archéologie) --- Aspect moral --- Collections et conservation --- Aspect social --- Philosophie --- Accessibility. --- American Journal of Archaeology. --- American Schools of Oriental Research. --- Ancient Egypt. --- Ancient Greece. --- Ancient Greek art. --- Antiquities. --- Archaeological context. --- Archaeological site. --- Archaeology. --- Art Loss Register. --- Art museum. --- Arts and Crafts movement. --- Beijing. --- Benin. --- Burial. --- Cambridge University Press. --- Capital Museum. --- Censorship. --- Circumstantial evidence. --- Civilization. --- Collecting. --- Colonialism. --- Consideration. --- Cosmopolitanism. --- Country of origin. --- Crime. --- Criticism. --- Cultural Property (Japan). --- Cultural appropriation. --- Cultural heritage. --- Cultural nationalism. --- Cultural property law. --- Cultural property. --- Curator. --- Elgin Marbles. --- Epigraphy. --- Euphronios Krater. --- Fu Hao. --- Funding. --- Iconoclasm. --- Ideology. --- Indigenous peoples. --- Insider. --- Institution. --- Intellectual property. --- International Council of Museums. --- J. Paul Getty Museum. --- Jews. --- Kenya. --- Kwame Anthony Appiah. --- Lansdowne portrait. --- Lecture. --- Legislation. --- Literature. --- Looting. --- Material culture. --- Matthew Bogdanos. --- Member state. --- Metropolitan Museum of Art. --- Museum. --- National Museum of the American Indian. --- National Palace Museum. --- National Treasure (Japan). --- National treasure. --- Native American Graves Protection and Repatriation Act. --- Neolithic. --- Newspaper. --- Ownership. --- Partage. --- Personhood. --- Philistinism. --- Private collection. --- Provenance. --- Publication. --- Punitive expedition. --- Repatriation (humans). --- Rhetoric. --- Roman art. --- Ruler. --- Smithsonian Institution. --- Smuggling. --- Sophistication. --- State ownership. --- Statute. --- Superiority (short story). --- Taliban. --- Tax. --- The Hundreds. --- The New York Review of Books. --- The New York Times. --- Theft. --- Tomb of Fu Hao. --- Tomb. --- Treaty. --- Tribal art. --- UNESCO. --- Urkesh. --- Work of art. --- World Heritage Site.
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